Intimacy Choreography is a field created by Tonia Sina and refined through her work with Alicia Rodis, Claire Warden, and Siobhan Richardson with Intimacy Directors International.
Intimacy Choreography is the codified practice of choreographing moments of staged intimacy in order to create safe, repeatable, and effective storytelling.
The Intimacy Choreographer is a movement professional and an actor advocate.
April, 2019: The Winter’s Tale begins rehearsals at Curio Theatre Company
February, 2019: She Kills Monsters opens at Drexel University with Kathryn MacMillan directing
February, 2019: Box Clever opens at Inis Nua Theatre Company
January, 2019: Betrayal at Lantern Theatre Company is officially Barrymore Recommended!
December, 2018: Spring Awakening opens at Columbia University
October, 2018: All My Sons is officially Barrymore Recommended!
October, 2018: All My Sons opens at Curio Theatre Company
“You cannot have an excellent production of this play without actors that have strong chemistry, and Perrier, McLenigan, and Isaac have more chemistry onstage than Marie Curie’s lab.”
— Amber Kusching, "Pinter's BETRAYAL at Lantern Theater Company is Poignant & Profound" Broadway World
“[Tonia] Sina and [Alicia] Rodis, along with co-founder Siobhan Richardson, created the Pillars, the core protocol of IDI’s work and teaching. A codified process, the Pillars consist of Context, Communication, Consent, and Choreography. (They recently established a fifth pillar, Closure, to assist actors in walking away from a character after a performance.) Not having this process, Sina said, can be damaging and dangerous... IDI currently recommends six certified Intimacy Directors, with 16 candidates in training to become certified. Currently only established movement teachers, choreographers, and directors who have worked directly with a founder are able to apply for training. ”
— Carey Purcell, "Intimate Exchanges" American Theatre
“with subtle movement choreographed by Colleen Hughes”
— Mark Cofta, "Rabbits Run! 'Watership Down’ by Simpatico and Drexel" Broad Street Review
“Choreography is a standout”
— The Philadelphia Inquirer, November 9, 2015
“wonderfully inventive movement and dance coaching”
— Ellen Wilson Dilks, "Curio Theatre’s crazed take on the Greek myth of Oedipus" Delaware County New Network