A Sunny Seaside and a Scottish Moor

Philadelphia Shakespeare Theatre's upcoming rep productions of Twelfth Night and Macbeth couldn't be more different, but I am delighted to be doing movement work with their versatile casts. Twelfth Night promises some delightful polkas and dreamy seaside tableaus. On the bloodier front, I've been working closely with the remarkable Julia Ray, Elise Hudson, and Sarah Stryker to create a specific physical vocabulary for their ancient magicks.